{"id":25,"date":"2020-06-19T12:52:26","date_gmt":"2020-06-19T12:52:26","guid":{"rendered":"https:\/\/www.goldencircusfestival.it\/?page_id=25"},"modified":"2020-06-19T12:52:26","modified_gmt":"2020-06-19T12:52:26","slug":"festival-internazionale-di-roma-capitale","status":"publish","type":"page","link":"https:\/\/www.goldencircusfestival.it\/fr","title":{"rendered":"Festival Internazionale di Roma capitale"},"content":{"rendered":"

Plus de 30 ans du Festival Internazionale di Roma capitale<\/strong><\/h2>\n

Pour beaucoup d’intellectuels, c’est une question de culture. Pour d’autres, les meilleurs, le Cirque a toujours \u00e9t\u00e9 la m\u00e8re de tous les spectacles. Lorsque la premi\u00e8re tribu s’est r\u00e9unie en cercle et que le chaman a parl\u00e9 \u00e0 son peuple, ce fut la premi\u00e8re v\u00e9ritable expression du cirque comme le disait Mario Verdone. Dans le monde, les arts du cirque sont consid\u00e9r\u00e9s comme une expression du corps, de l’\u00e9tude et de la potentialit\u00e9 de son propre physique et de ses propres capacit\u00e9s, une forme d’art essentielle.<\/p>\n

\"golden<\/p>\n

Dans notre pays cependant, le cirque est sous-\u00e9valu\u00e9. Les m\u00e9dias et les institutions nous attaquent parce que, selon eux, le cirque est socialement inutile, il influence les gens, les enfants, la magie que le Cirque transmet \u00e0 son peuple depuis des si\u00e8cles.Il n’y a aucune sensibilit\u00e9 de la part de ceux qui, peut-\u00eatre, ne sont plus habitu\u00e9s \u00e0 r\u00eaver et \u00e0 voir au-del\u00e0 de l’argent et du quotidien, et croyez-moi, c’est dommage. Le cirque est important pour la soci\u00e9t\u00e9. C’est l’histoire. C’est le premier exemple de spectacle qui nous vient du monde antique.<\/p>\n

C’est une \u00e9volution continue de nous-m\u00eames, une recherche spasmodique de notre \u00eatre, c’est une mutation du corps, de l’expression et du langage dans chaque attitude. Acrobates, funambules, trap\u00e9zistes sont capables de communiquer avec leur corps tout l’\u00e9merveillement qui nous entoure, en transmettant libert\u00e9 et imagination.
\nLe Cirque est ce monde dont nous avons toujours r\u00eav\u00e9 quand nous \u00e9tions enfants, que nous oublions en grandissant. Le cirque est un rappel, \u00e0 un niveau inconscient, quelque chose qui nous ram\u00e8ne instinctivement \u00e0 la m\u00e9moire, \u00e0 notre pass\u00e9 transmis de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration.
\nEn chacun de nous, il y a un Cirque, un appel inn\u00e9, une nature complexe qui nous fait faire partie du tout.
\nLe nier reviendrait \u00e0 nier l’histoire qui l’a \u00e9lu comme premi\u00e8re forme d’art.<\/p>\n

Gli artisti vincitori del golden artist oro<\/strong><\/h2>\n

Le Festival du Cirque d’Or a impliqu\u00e9 plus de 3 000 ARTISTES du monde entier. D\u00e9vouvrez les laur\u00e9ats des XXXIIe \u00e9ditions :<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1985<\/strong><\/td>\nKehaiovi (Bulgaria)<\/td>\nAcrobazie alla bascula<\/td>\n<\/tr>\n
1986<\/strong><\/td>\nAntony Gatto (U.S.A.)<\/td>\nJonglerie<\/td>\n<\/tr>\n
1987<\/strong><\/td>\nnon assegnato<\/td>\n<\/td>\n<\/tr>\n
1988\u00a0<\/strong><\/td>\nMr. Lotara (Germania)<\/td>\nFilo alto<\/td>\n<\/tr>\n
1989\u00a0<\/strong><\/td>\nPellegrini (Italia)<\/td>\nPose plastiche<\/td>\n<\/tr>\n
1990\u00a0<\/strong><\/td>\nKenya’s Boys (Kenya)<\/td>\nAcrobatica a terra<\/td>\n<\/tr>\n
1991<\/strong><\/td>\nCarrilo Brothers (Colombia)<\/td>\nFilo alto<\/td>\n<\/tr>\n
1992<\/strong><\/td>\nSicuan Acrobatic Troupe (Cina)<\/td>\nAntipodismo ai tamburi<\/td>\n<\/tr>\n
1993\u00a0<\/strong><\/td>\nPliev (Ossezia, Russia)<\/td>\nCosacchi a cavallo<\/td>\n<\/tr>\n
1994\u00a0<\/strong><\/td>\nTrio Rijkov (Bielorussia)<\/td>\nTrapezio<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nEx equo Philippart e Angia (Olanda)<\/td>\nLa grande illusione<\/td>\n<\/tr>\n
1995\u00a0<\/strong><\/td>\nTroupe Baidin (Russia)<\/td>\nLe pertiche<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nEx equo Victor Chemchour (Russia)<\/td>\nGli orsi in pista<\/td>\n<\/tr>\n
1996\u00a0<\/strong><\/td>\nDuo Aragon (Francia)<\/td>\nSostenuto aereo<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nEx equo Hebei Acrobatic Troupe (Cina)<\/td>\nAntipodismo<\/td>\n<\/tr>\n
1997\u00a0<\/strong><\/td>\nImmagination (Russia)<\/td>\nCorde volanti<\/td>\n<\/tr>\n
1998\u00a0<\/strong><\/td>\nTroupe Billea (Romania)<\/td>\nAcrobazie alla bascula<\/td>\n<\/tr>\n
<\/td>\nEx equo Iriston (Russia)<\/td>\nCosacchi a cavallo<\/td>\n<\/tr>\n
1999\u00a0<\/strong><\/td>\nTroupe Hailafov (Russia)<\/td>\nPertiche oscillanti<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nEx equo Duo Mescarovi (Bulgaria)<\/td>\nAnelli<\/td>\n<\/tr>\n
2000\u00a0<\/strong><\/td>\nXavier Lamourex (Canada)<\/td>\nLa corda di seta<\/td>\n<\/tr>\n
2001\u00a0<\/strong><\/td>\nViorel (Romania)<\/td>\nAcrobazie alla bascula<\/td>\n<\/tr>\n
2002\u00a0<\/strong><\/td>\nTroupe Eshimbekovi (Kirgizistan)<\/td>\nCosacchi a cavallo<\/td>\n<\/tr>\n
2003\u00a0<\/strong><\/td>\nWuhan Acrobatic Troupe (Cina)<\/td>\nAcrobatica ai pali<\/td>\n<\/tr>\n
2004\u00a0<\/strong><\/td>\nKantemirov Troupe (Russia)<\/td>\nCosacchi a cavallo<\/td>\n<\/tr>\n
2005\u00a0<\/strong><\/td>\nZhe Jiang Acrobatic (Cina)<\/td>\nAntipodismo<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nEx equo Troupe Morambong PyongYang (Cina)<\/td>\nAcrobatica all’altalena e alla bilancia<\/td>\n<\/tr>\n
2006\u00a0<\/strong><\/td>\nScuola di Circo di Shanghai (Cina)<\/td>\n<\/td>\n<\/tr>\n
2007\u00a0<\/strong><\/td>\nScuola di Circo di Inner (Mongolia, Cina)<\/td>\n<\/td>\n<\/tr>\n
2008\u00a0<\/strong><\/td>\nLi Siyu e Tang Ronghai – Dalian Troupe (Cina)<\/td>\nContorsionismo moderno<\/td>\n<\/tr>\n
2009\u00a0<\/strong><\/td>\nHugo Noel (Canada)<\/td>\nRuota CYR<\/td>\n<\/tr>\n
2010\u00a0<\/strong><\/td>\nTroupe Morambong PyongYang (Cina)<\/td>\nVolanti<\/td>\n<\/tr>\n
2011\u00a0<\/strong><\/td>\nTashkenbaev Group (Uzbekistan)<\/td>\nFilo Alto<\/td>\n<\/tr>\n
2012\u00a0<\/strong><\/td>\nCirco Naz.\u00a0 Pyongyang – Hwan Gyong U Flying trapeze<\/td>\n<\/td>\n<\/tr>\n
2013<\/strong><\/td>\nBartolo Messina (Italia)<\/td>\nCavalli in libert\u00e0<\/td>\n<\/tr>\n
2014<\/strong><\/td>\nDu Quan Ho (Vietnam)<\/td>\nEquilibrismo aereo<\/td>\n<\/tr>\n
2015<\/strong><\/td>\nJiang Xueya (Cina) ex-equo Spicy Circus (Canada)<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Plus de 30 ans du Festival Internazionale di Roma capitale Pour beaucoup d’intellectuels, c’est une question de culture. Pour d’autres, les meilleurs, le Cirque a toujours \u00e9t\u00e9 la m\u00e8re de tous les spectacles. Lorsque la premi\u00e8re tribu s’est r\u00e9unie en cercle et que le chaman a parl\u00e9 \u00e0 son peuple, ce fut la premi\u00e8re v\u00e9ritable […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-25","page","type-page","status-publish","hentry"],"yoast_head":"\nFestival Internazionale di Roma capitale - Festival Internazionale di Roma capitale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.goldencircusfestival.it\/fr\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Internazionale di Roma capitale - Festival Internazionale di Roma capitale\" \/>\n<meta property=\"og:description\" content=\"Plus de 30 ans du Festival Internazionale di Roma capitale Pour beaucoup d’intellectuels, c’est une question de culture. 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